New Main Title sequence

Alex the fierce. The case of orphans. Opening titles design.

We are thrilled to present the opening titles sequence for “Alex the Fierce: The Orphans’ Case,” the third installment in the gripping criminal-historical anthology series produced by Amedia. We worked closely with Amedia to create a visually stunning and captivating introduction that sets the tone for this compelling TV series.

The company’s exceptional filming expertise shines through in the footage captured for the titles, showcasing their talent for crafting immersive and atmospheric visuals. Building upon this foundation, our team added our own creative touches to enhance the sequence. We meticulously edited and graded the footage to ensure a seamless and polished look, and composed clean, elegant text to complement the on-screen imagery.

In addition to the visual elements, we also crafted a hand-drawn logo that serves as a striking focal point in the opening titles. This bespoke logo adds a unique and personal touch to the sequence, capturing the essence of the series and drawing viewers into the world of “Alex the Fierce.”

We are incredibly proud of the collaborative effort that went into creating this opening sequence, and we are excited to share it with audiences around the World. The combination of Amedia’s exceptional filming and our creative expertise has resulted in a truly memorable and impactful introduction to “Alex the Fierce: The Orphans’ Case.” We hope that viewers will be captivated by the artistry and craftsmanship on display in this dynamic opening sequence.

“Kesha must die” opening titles design

Our Main Title Sequence for “Kesha must die” series by production company “Marmot” and KION online cinema. Premiered December 1st 2023. The company’s artist sent us photographs of the herbarium. We dried and photographed some of the plants ourselves. We drew graphics and blots to imitate scientific information in the university herbarium pages. Animated some elements of the herbarium. Applied texture of an old paper and shadows, made from the shot tree leafs. Designed typography, looking like old stamps. Thank you for watching, more examples are in the “Motion demo”.

“Bison Hunting” series Main Title Sequence

Bison Hunting Opening Titles

The opening credits for “Bison Hunting” for the Marmot film company and the 1st channel feature a gritty and intense design, reflecting the crime, detective work, and investigation themes of the show. The visuals also incorporate elements of the modeling agency and fashion industry, set against the backdrop of the Soviet era, to highlight the glamour and corruption in power. The credits use bold typography and dark, moody visuals to set the tone for the thrilling and complex storyline of the series. We have filmed neon signs in Varna city to add them to the visual story, have drawn hand lettering “Bison”, stencil digits and signs, color corrected it all, composed it with the rough masks to the whole story and voila:

The Actor series Opening Titles

Our credits for the “Actor” TV series by Sreda production company. The cast is: director Vano Burduli, composer Sergei Kashirin, post-production manager Olga Nikulina. Design, filming details, editing, color correction, VFX – we: Marina Getmanova and Dmitry Puzyrev.

We selected material from the series, and shot it from the screen through a moving curved glass. Thus, a “liquid” picture was obtained, as if through tears. Fragments of macro shooting from a screen with large pixels. We also shot water drops running across the glass against a black background, and placed them in different directions. Monochrome cold color correction with purple and pink overflows.

Наши титры для сериала “Актер” кинокомпании Среда. Состав: режиссер Вано Бурдули, композитор Сергей Каширин, пост-продакшн менеджер Ольга Никулина. Дизайн, съемка деталей, монтаж, цветокоррекция, VFX – мы: Марина Гетманова и Дмитрий Пузырев.

Мы отобрали материал из сериала, и пересняли его с экрана через движущееся кривое стекло. Таким образом получилась “текущая” картинка, как через слезы. Фрагментами макро-съемка с экрана с крупными пикселями. Также мы сняли бегущие по стеклу капли воды на черном фоне, и запустили их в разном направлении. Монохромная холодная цветокоррекция с фиолетовыми и розовыми наплывами.