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For more of our work examples, see the following resources:

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Design, Photo, Titles on Behance
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And our Telegram channel where we post new premiered works https://t.me/dimarina_co

Good luck,
Dmitry Puzyrev, Marina Getmanova.

Ovcharka tv series main title sequence

For the TV series “Ovcharka” by Sigma Film Studio, we created dynamic opening titles that blend innovative cinematography with visual effects. Inspired by director Dmitry Cherkasov’s concept, we filmed a woman’s hand “swiping” screens in various directions. To enhance visual impact, we captured macro shots of diverse objects, from a bank card to a phone screen, using an electronic microscope. The studio provided a photo archive of the main character, which we processed in Affinity Photo and integrated with the film’s footage.

“The russian wife” main title sequence

Our Main Title Sequence for “The Russian Wife” series by LOOK film company about the fate of a Russian woman married to a Syrian. Film director Sergey Pikalov. There were many versions with аrabic script letters, than producers decided that we should switch to something more neutral, and we have used ornaments as masks for chronicles and textures of fabric, which we have shot ourselves.

New Main Title sequence for “Alex the fierce 3” series

Alex the fierce. The case of orphans. Opening titles design.

We are thrilled to present the opening titles sequence for “Alex the Fierce: The Orphans’ Case,” the third installment in the gripping criminal-historical anthology series produced by Amedia. We worked closely with Amedia to create a visually stunning and captivating introduction that sets the tone for this compelling TV series.

The company’s exceptional filming expertise shines through in the footage captured for the titles, showcasing their talent for crafting immersive and atmospheric visuals. Building upon this foundation, our team added our own creative touches to enhance the sequence. We meticulously edited and graded the footage to ensure a seamless and polished look, and composed clean, elegant text to complement the on-screen imagery.

In addition to the visual elements, we also crafted a hand-drawn logo that serves as a striking focal point in the opening titles. This bespoke logo adds a unique and personal touch to the sequence, capturing the essence of the series and drawing viewers into the world of “Alex the Fierce.”

We are incredibly proud of the collaborative effort that went into creating this opening sequence, and we are excited to share it with audiences around the World. The combination of Amedia’s exceptional filming and our creative expertise has resulted in a truly memorable and impactful introduction to “Alex the Fierce: The Orphans’ Case.” We hope that viewers will be captivated by the artistry and craftsmanship on display in this dynamic opening sequence.

“Kesha must die” opening titles design

Our Main Title Sequence for “Kesha must die” series by production company “Marmot” and KION online cinema. Premiered December 1st 2023. The company’s artist sent us photographs of the herbarium. We dried and photographed some of the plants ourselves. We drew graphics and blots to imitate scientific information in the university herbarium pages. Animated some elements of the herbarium. Applied texture of an old paper and shadows, made from the shot tree leafs. Designed typography, looking like old stamps. Thank you for watching, more examples are in the “Motion demo”.

The Cerber series main title sequence design

Main Title Sequence design for the “Cerber” series by Vladimir Schegolkov. All the footage and handwriting here is our work. We have gathered plants in a forest, prepared scripts on paper, soaked in tea, poured a chokeberry syrup, filmed it all on a black paper background, moving a camera around on the small handmade dolly, edited the sequence, color corrected it, added some flying dust, and voila 🙂

“Bison Hunting” series Main Title Sequence

Bison Hunting Opening Titles

The opening credits for “Bison Hunting” for the Marmot film company and the 1st channel feature a gritty and intense design, reflecting the crime, detective work, and investigation themes of the show. The visuals also incorporate elements of the modeling agency and fashion industry, set against the backdrop of the Soviet era, to highlight the glamour and corruption in power. The credits use bold typography and dark, moody visuals to set the tone for the thrilling and complex storyline of the series. We have filmed neon signs in Varna city to add them to the visual story, have drawn hand lettering “Bison”, stencil digits and signs, color corrected it all, composed it with the rough masks to the whole story and voila: