Our title sequence for “The Varangians” criminal TV series by Yauza film. Here we have used the film footage, adding our shots of flashes, poles with wires, chain-link mesh.
“The City of Secrets” Opening Titles sequence
Main Title Sequence for “The City of Secrets” by LOOK film company. The production company have shot actor’s portraits in moving light. We have edited the stuff, color corrected it, added our footage with city textures and some line graphics. Film director Sergey Pikalov took part in design correction.
“The russian wife” main title sequence
Our Main Title Sequence for “The Russian Wife” series by LOOK film company about the fate of a Russian woman married to a Syrian. Film director Sergey Pikalov. There were many versions with аrabic script letters, than producers decided that we should switch to something more neutral, and we have used ornaments as masks for chronicles and textures of fabric, which we have shot ourselves.
New Main Title sequence for “Alex the fierce 3” series
We are thrilled to present the opening titles sequence for “Alex the Fierce: The Orphans’ Case,” the third installment in the gripping criminal-historical anthology series produced by Amedia. We worked closely with Amedia to create a visually stunning and captivating introduction that sets the tone for this compelling TV series.
The company’s exceptional filming expertise shines through in the footage captured for the titles, showcasing their talent for crafting immersive and atmospheric visuals. Building upon this foundation, our team added our own creative touches to enhance the sequence. We meticulously edited and graded the footage to ensure a seamless and polished look, and composed clean, elegant text to complement the on-screen imagery.
In addition to the visual elements, we also crafted a hand-drawn logo that serves as a striking focal point in the opening titles. This bespoke logo adds a unique and personal touch to the sequence, capturing the essence of the series and drawing viewers into the world of “Alex the Fierce.”
We are incredibly proud of the collaborative effort that went into creating this opening sequence, and we are excited to share it with audiences around the World. The combination of Amedia’s exceptional filming and our creative expertise has resulted in a truly memorable and impactful introduction to “Alex the Fierce: The Orphans’ Case.” We hope that viewers will be captivated by the artistry and craftsmanship on display in this dynamic opening sequence.
“Kesha must die” opening titles design
Our Main Title Sequence for “Kesha must die” series by production company “Marmot” and KION online cinema. Premiered December 1st 2023. The company’s artist sent us photographs of the herbarium. We dried and photographed some of the plants ourselves. We drew graphics and blots to imitate scientific information in the university herbarium pages. Animated some elements of the herbarium. Applied texture of an old paper and shadows, made from the shot tree leafs. Designed typography, looking like old stamps. Thank you for watching, more examples are in the “Motion demo”.
The Cerber series main title sequence design
Main Title Sequence design for the “Cerber” series by Vladimir Schegolkov. All the footage and handwriting here is our work. We have gathered plants in a forest, prepared scripts on paper, soaked in tea, poured a chokeberry syrup, filmed it all on a black paper background, moving a camera around on the small handmade dolly, edited the sequence, color corrected it, added some flying dust, and voila 🙂
“Bison Hunting” series Main Title Sequence
The opening credits for “Bison Hunting” for the Marmot film company and the 1st channel feature a gritty and intense design, reflecting the crime, detective work, and investigation themes of the show. The visuals also incorporate elements of the modeling agency and fashion industry, set against the backdrop of the Soviet era, to highlight the glamour and corruption in power. The credits use bold typography and dark, moody visuals to set the tone for the thrilling and complex storyline of the series. We have filmed neon signs in Varna city to add them to the visual story, have drawn hand lettering “Bison”, stencil digits and signs, color corrected it all, composed it with the rough masks to the whole story and voila:
The Guard series Main Title Seguence
The Guard series Main Title Sequence, which was premiered March 27. Production house Amedia. NTV channel.
27 марта на НТВ вышел в эфир сериал «Стражник» кинокомпании Амедиа с нашими начальными титрами.
Chernobyl. Sabotage. Main Title Sequence.
Our Main Title sequence for the “Chernobyl. Sabotage” series for Wink videoservice by film director Alexey Muradov. We filmed power lines and repeater antennas, flying dust, drew frames on paper with a rough pen, poured water, filmed boiling water, parts of old cameras, newspapers, burned holes in black paper in the sun with a lens, and kneaded it all into this montage. Enjoy 🙂
В прошлом году на платформе Wink вышел сериал “Чернобыль. Диверсия” режиссера Алексея Мурадова с нашими титрами. В этой работе мы не использовали материал фильма вообще. Продакшн обеспечил нам хронику времен Горбачева. Мы сняли бумагу с нарисованными грубо линиями и рамками тушью, кипящую воду, вышки электропередач, опоры осветления около стадиона, антенну ретранслятора на горе, старые фотокамеры из коллекции нашего друга, прожгли лупой на солнце черную бумагу, еще что-то прожгли, и собрали все в такую вот историю
Bezsonov series Main Credits
January 16 the premiere of the series BEZSONOV from the production company LookFilm with our initial credits took place 🙂 We thank the creative producer Yuri Shchirenko for this project and congratulate all those involved, among whom are our Bulgarian friends. For these titles, we filmed ink in water, handwriting on paper to put it all together in a collage.
16 января состоялась премьера сериала БЕЗСОНОВ от продакшн компании LookFilm с нашими начальными титрами 🙂 Благодарим креативного продюсера Юрия Щиренко за этот проект и поздравляем всех причастных, среди которых есть и наши болгарские знакомые. Для этих титров мы сняли расплывающуюся тушь в воде, надписи и почеркушки на бумаге чтобы собрать все в коллаж.